It’s a standalone prequel to the original trilogy, filling the gap (and space) between Episodes III and IV, but it does nothing of note beyond that, except to elaborate on a minor plot point that sets up A New Hope, in the form of a ragtag suicide squad on a mission to retrieve the Death Star plans so Luke Skywalker can find them in a droid days later.Īll the while, Rogue One presents side character archetypes as protagonists to a well-realized war movie, one without much of the Force or any stunning lightsaber duels to balance against the space battles. Before Rogue One, which is aptly subtitled “A Star Wars Story,” even begins, it suffers from a remarkable weakness no other movie in this franchise has ever had.